Integrated overtone
mechanics
of the combination of sound and idea
in the musical fields of knowledge
Universal analysis
of the combination of sound and idea
in the musical process of knowing 7.3.2.08.00
• in the acoustic space
• in the musical tone-space
• in the musical motif-space
• in the musical sequence-space
• in the musical harmony-space
SEMINAR
7.3.2.08.01
Integrated overtone mechanics of the combination of sound and idea at the
transition from the force-field of the acoustic space to the field of our
neurophysiology
7.3.2.08.02
Integrated overtone mechanics of the combination of sound and idea at the
transition from the field of our neurophysiology to the force-field of our
mind
7.3.2.08.03
Integrated overtone mechanics of the combination of sound and idea at the
transition from the force-field of our mind to the field of our inner voice
7.3.2.08.04
Integrated overtone mechanics of the combination of sound and idea at the
transition from the field of our inner voice to the field of knowledge of
the musical tone-space
7.3.2.08.05
Integrated overtone mechanics of the combination of sound and idea at the
transition from the field of knowledge of the musical tone-space to the
field
of knowledge of our hearing
7.3.2.08.06
Integrated overtone mechanics of the combination of sound and idea at the
transition from the field of knowledge of our hearing to the field of knowledge
of the musical motif-space
7.3.2.08.07
Integrated overtone mechanics of the combination of sound and idea at the
transition from the field of knowledge of the musical motif-space to the
field
of knowledge of our understanding
7.3.2.08.08
Integrated overtone mechanics of the combination of sound and idea at the
transition from the field of knowledge of our understanding to the field
of knowledge of the musical sequence-space
7.3.2.08.09
Integrated overtone mechanics of the combination of sound and idea at the
transition from the field of knowledge of the musical sequence-space to
the field of knowledge of our feeling
7.3.2.08.10
Integrated overtone mechanics of the combination of sound and idea at the
transition from the field of knowledge of our feeling to the field of knowledge
of the musical harmony-space
7.3.2.08.11
Integrated overtone mechanics of the combination of sound and idea at the
transition from the field of knowledge of the musical harmony-space to the
field of knowledge of our intellect
7.3.2.08.12
Integrated overtone mechanics of the combination of sound and idea at the
transition from the field of knowledge of our intellect to the field of
knowledge of our self-awareness
Reference work:
Peter Huebner Study of Music Study of the inner Forces of Man
© AAR EDITION INTERNATIONAL 1986